OUR BOOK CLUBS

Hello book lovers! Welcome to your local book club.

Matilda Bookshop now hosts three book clubs for adult readers.

(We also have three book clubs for kids - find out more here.)

All book clubbers receive a 20% discount on the book of the month.

To be involved, please join one of the book clubs mailing lists and you’ll be emailed when our upcoming dates are announced. Hope to see you soon!

completed

WHEN: Tuesday evening, monthly at 6pm or 730pm
VENUE: Stirling Hotel Library Room
COST: $10
CONVENOR: Molly
OUR NEXT BOOK CLUB DATE: Matilda Bookshop Book Club will take a break over the summer and resume in February 2026.

Sign up below to join our book club mailing list.

Our Matilda Bookshop Book Club is now 10 years old and is a lively, informal and informative meeting where we chat over the best in Australian fiction, new-release fiction, classics and international fiction. The sessions are convened by Molly (who is an author and manager of the bookshop), who has experience teaching literature and creative writing at a tertiary level. But most importantly, the evenings are fun and engaging.

If you are interested in receiving regular information about the book club, please sign up to the newsletter below.

  • In November, at Matilda Bookshop Book Club, we discussed the tender and brutal coming-of-age, coming-out story, of shy, queer, academic Martha Mullins, in Sofie Laguna's The Underworld.  1970s Sydney, and Martha attends a privileged boarding school in the Southern Highlands of NSW, where she discovers the allure of Roman and Greek mythology as a map or guide for her own emotional and spiritual transformations. 

    For Martha, the underworld is a place of escape, refuge, desire, depression, liberation, belonging, rapture and rupture. The novel follows both Martha's high school and university years, bringing to mind Elena Ferrante's My Brilliant Friend series, where two devastating events to do with her sexuality and shame, begin her descent into the underworld. 

    We discussed Laguna's writing of shame, privilege, outsider-status, and the blocks women face in academia, especially in the 1970s, but still now. For some, the structure of the novel was baffling, for others, the treatment of the underworld didn't quite coalesce. And yet, the more we talked, the more we discovered the novel's deeply penetrating themes of love, violence, and transformation. A fitting place to end another year of book club reading and chat in 2025. MOLLY

    Click HERE to read the November full wrap up

  • 2025

    The Underworld by Sofie Laguna

    Seascraper by Benjamin Wood

    Desolation by Hossein Asgari

    Cure by Katherine Brabon

    Honour’s Mimic by Charmian Clift

    We Do Not Part by Han Kang

    Flesh by David Szalay

    Elegy, Southwest Madeleine Watts

    The Mighty Red by Louise Erdrich

    Theory & Practice by Michelle de Kretser

    2024

    The Safekeep by Yael van der Wouden

    Tell Me Everything by Elizabeth Strout

    Scaffolding by Lauren Elkin

    Clear by Carys Davies

    The Heart in Winter by Kevin Barry

    Take What You Need by Idra Novey

    Until August Gabriel García Márquez

    We All Lived in Bondi Then by Georgia Blain

    The Librarianist by Patrick deWitt

    Days of Innocence and Wonder by Lucy Treloar

    2023

    Stone Yard Devotional by Charlotte Wood

    The Wren, The Wren by Anne Enright

    Chai Time at the Cinnamon Gardens by Shankari Chandran

    In Ascension by Martin MacInnes

    Small Things Like These & Foster by Claire Keegan

    August Blue by Deborah Levy

    The Bookbinder of Jericho by Pip Williams

    Out of Africa by Karen Blixen

    Euphoria by Elin Cullhed

    The Sun Walks Down by Fiona McFarlane

    2022

    Limberlost by Robbie Arnott

    This Devastating Fever by Sophie Cunningham

    Faithless by Alice Nelson

    Horse by Geraldine Brooks

    Bedtime Story by Chloe Hooper

    Elizabeth Finch by Julian Barnes

    Loveland by Robert Lukins

    The Colony by Audrey Magee

    Cold Enough for Snow by Jessica Au

    The Sentence by Louise Erdrich

  • 2021

    Transit of Venus by Shirley Hazzard

    Real Estate by Deborah Levy

    Still Life by Sarah Winman

    Stranger Care by Sarah Sentilles

    From Where I Fell by Susan Johnson

    The Performance by Claire Thomas

    Shuggie Bain by Douglas Stewart

    Song of the Crocodile by Nardi Simpson

    2020

    Olive, Again by Elizabeth Strout

    Where the Crawdads Sing by Delia Owens

    Greenwood by Michael Christie

    The Rain Heron by Robbie Arnott

    The Things She Owned by Katherine Tamiko Arguile

    A Thousand Moons by Sebastian Barry

    The Scent of Eucalyptus by Barbara Hanrahan

    Betty by Tiffany McDaniel

    The Labyrinth by Amanda Lohrey

    In Search of the Woman Who Sailed the World by Danielle Clode

    2019

    To the Lighthouse by Virginia Woolf

    Walking on the Ceiling by Aysegul Savas

    Celestial Bodies by Jokha Alharthi

    The White Girl by Tony Birch

    Lanny by Max Porter

    The Erratics by Vicki Laveau-Harvie

    Islands by Peggy Frew

    Ghost Wall by Sarah Moss

    Heart of the Grass Tree by Molly Murn


    2018

    The Children’s House by Alice Nelson

    Normal People by Sally Rooney

    Boy Swallows Universe by Trent Dalton

    Flames by Robbie Arnott

    Monkey Grip by Helen Garner

    Warlight by Michael Ondaatje

    In the Garden of the Fugitives by Ceridwen Dovey

    The Only Story by Julian Barnes

    Exit West by Mohsin Hamid

    The Choke by Sofie Laguna

  • 2017

    The Passage of Love by Alex Miller

    Days Without End by Sebastian Barry

    Tin Man by Sarah Winman

    The Last Garden by Eva Hornung

    The Essex Serpent by Sarah Perry

    House of Names by Colm Tóibín

    Museum of Modern Love by Heather Rose

    Picnic at Hanging Rock by Joan Lindsay

    Barking Dogs by Rebekah Clarkson

    My Name is Lucy Barton by Elizabeth Strout

    2016

    The Good People by Hannah Kent

    Commonwealth by Ann Patchett

    LaRose by Louise Erdrich

    Jane Eyre by Charlotte Brontë

    The Noise of Time by Julian Barnes

    Between a Wolf and a Dog by Georgia Blain

    A Little Life by Hanya Yanagihara

    H is for Hawk by Helen Macdonald

    My Brilliant Friend by Elena Ferrante

    Salt Creek by Lucy Treloar


    2015

    The Narrow Road to the Deep North by Richard Flanagan

    Nora Webster by Colm Toibin

    The Golden Age by Joan London

    We Are All Completely Beside Ourselves by Karen Joy Fowler

    To Kill A Mockingbird by Harper Lee

    The Sisters Brothers by Patrick de Witt

    All the Light We Cannot See by Anthony Doerr

    The Lowland by Jhumpa Lahiri

    The Natural Way of Things by Charlotte Wood

    Sweet Caress by William Boyd

    description


Logo

Sign up here to the Matilda Book Club newsletter





completed

WHEN: Wednesday evening, monthly, either 6.00pm OR 7.10pm
VENUE: Matilda Bookshop
COST: $12 (includes a glass of red or white wine or sparkling water on arrival)
CONVENOR: Rose

OUR NEXT BOOK CLUB DATE: Red Door Book Club will take a break over the summer and resume in February 2026.

Sign up below to join our book club mailing list

The sessions are convened by Rose, an avid reader, published author and bookseller at Matilda Bookshop.

If you are interested in receiving book club updates, please sign up to the newsletter below.

  • Our last book for 2025 was The Mobius Book by Catherine Lacey, a deliciously form-breaking half-novella, half-memoir dealing with the end of the author’s coercive relationship and interrogating her relationship with religion, her friends, and her father, and the nature of fiction. 


    This book saw a distinct divide between the first and second book club groups, with the first group mostly loving it and the second group heartily sick of works that engage in that level of introspection and self-analysis. (I enjoyed the contrast.) We enjoyed energetic, flowing discussions ranging from the concept of amor fati (loving one’s fate, whether good or bad, because everything leads you to here) to the ignored blood pooling under the neighbour’s door in the fiction half of the book, which seemed a metaphor for how it is sometimes easier it is to pretend we don’t see a friend or family member’s potential domestic abuse because we’re afraid of being wrong, and how conversely it’s easier to call for help when it’s a stranger on the street. ROSE

  • 2025

    Audition by Katie Kitamura

    Ghost Cities by Siang Lu

    Happiness and Love by Zoe Dubno

    You Dreamed of Empires by Alvaro Enrigue

    The Coin by Yasmin Zaher

    The Antidote by Karen Russell

    The Leopard by Guiseppe Tomasi Di Lampedusa

    The Most by Jessica Anthony

    It Lasts Forever and Then It’s Over by Anna de Marcken

    2024

    Intermezzo by Sally Rooney

    All Fours by Miranda July

    Breakdownby Cathy Sweeney

    The Master and Margarita by Mikhail Bulgakov

    The Ministry of Time by Kaliane Bradley

    Vladivostok Circus by Elisa Shua Dusapin

    The Variations by Patrick Langley

    Orbital by Samantha Harvey

    Held by Anne Michaels

    2023

    The Premonition by Banana Yoshimoto

    North Woods by Daniel Mason

    Strangers at the Portby Lauren Aimee Curtis

    Cousins by Aurora Venturini

    Ghost Music by An Yu

    Shy by Max Porter

    When I Sing, Mountains Dance by Irene Solà

    The Enchanted April by Elizabeth von Arnim

    A Sunday in Ville d’Avray by Dominique Barberis

    Delphi by Clare Pollard

    2022

    Limberlost by Robbie Arnott

    The Marriage Portrait by Maggie O’Farrell

    The Lovers by Paolo Cognetti

    Pure Colour by Sheila Heti

Logo

Sign up here to join the Red Door Book Club newsletter




  • This November, we travelled to South Korea, and visited the spooky world of Bora Chung with The Midnight Timetable. Set at a mysterious institute that houses possessed objects, these stories blur the boundary of what can traditionally be classified as haunted; is it the objects themselves and their paranormal tendencies, or is it a manifestation of the past that truly follows us? We collectively agreed that this short story collection felt like elevated campfire stories, with an overarching moral message (perhaps, the exploitation of the vulnerable? IYKYK), they made us question the realities of horror, how the banal, liminal spaces we occupy can unsettle us more than any ghost can.

    This month we also discussed the ethics surrounding translation. Based on Anton Hur’s essay The Mythical English Reader, we explored the question, ‘which language should we be prioritizing with translation?’ Should publishers be using a native English speaker to yield a style of prose that we feel comfortable with, or a speaker native to the language in translation who understands the cultural nuances of the original text? The resounding consensus was that as readers we want to be immersed in another culture, to expand our literary horizons beyond our own pocket of the globe; this is the reason we read widely. It is another factor to consider as we traverse the world of translated literature. A truly invigorating discussion.

    NADIA

  • 2025

    The Director by Daniel Kehlmann, trans. Ross Benjamin (German)

    On the Calculation of Volume by Solvej Balle, trans. Barbara J. Haveland (Danish)

sold out

WHEN: Thursday evening, monthly, either 6.00pm OR 7.15pm
VENUE: Matilda Bookshop
COST: $12 (includes a glass of red or white wine or sparkling water provided)
CONVENORS: Heather & Nadia

OUR NEXT BOOK CLUB DATE: Thursday December 4, 2025 - 6pm and 7.15pm. SOLD OUT: please contact us to join the waitlist (08 8339 3931)

Matilda, Translated is our newest club! The sessions are convened by Heather and Nadia, both booksellers at Matilda Bookshop.

If you are interested in receiving book club updates, please sign up to the newsletter below.


Logo

Sign up here to join our Matilda, Translated Book Club newsletter